Earth’s future is uninhabitable

I feel like I’ve just come back from a long trip to the future, and returned, and I’m stricken. I finished reading “The Uninhabitable Earth: What climate change could wreak — sooner than you think” by David Wallace-Wells in the New York Magazine.

This long-form essay on potential futures of climate change is a must-read. It’s difficult, not because of the language or length, but the scenarios Wallace-Wells describes in such vivid detail.

Readers, society: take note. This is our future.

If we don’t act now. Today.

“Several of the scientists I spoke with proposed global warming as the solution to Fermi’s famous paradox, which asks, ‘If the universe is so big, then why haven’t we encountered any other intelligent life in it?’”

Earth’s future

Wallace-Wells helps visualize potential futures where climate change devastate the Earth, our environment, our food, and our lives.

He doesn’t shy away from the terrifying scenarios, drilling into specific details and facts. He often compares future numbers to current ones, which helps me understand hard-to-relate to abstracts.

Here are some terrifying tidbits from the article.

  • “Arctic permafrost contains 1.8 trillion tons of carbon, more than twice as much as is currently suspended in the Earth’s atmosphere. When it thaws and is released, that carbon may evaporate as methane, which is 34 times as powerful a greenhouse-gas warming blanket as carbon dioxide when judged on the timescale of a century; when judged on the timescale of two decades, it is 86 times as powerful.”
  • “The albedo effect (less ice means less reflected and more absorbed sunlight, hence more warming); more cloud cover (which traps heat); or the dieback of forests and other flora (which extract carbon from the atmosphere). Each of these promises to accelerate warming, and the history of the planet shows that temperature can shift as much as five degrees Celsius within thirteen years.”
  • “At 11 or 12 degrees of warming, more than half the world’s population, as distributed today, would die of direct heat. Since 1980, the planet has experienced a 50-fold increase in the number of places experiencing dangerous or extreme heat.”
  • “The basic rule for staple cereal crops grown at optimal temperature is that for every degree of warming, yields decline by 10 percent. Which means that if the planet is five degrees warmer at the end of the century, we may have as many as 50 percent more people to feed and 50 percent less grain to give them. And proteins are worse.”
  • “The fraction of carbon dioxide in the air is growing: It just crossed 400 parts per million, and high-end estimates extrapolating from current trends suggest it will hit 1,000 ppm by 2100. At that concentration, compared to the air we breathe now, human cognitive ability declines by 21 percent.”
  • “For every half-degree of warming, they say, societies will see between a 10 and 20 percent increase in the likelihood of armed conflict.”
  • “We will see at least four feet of sea-level rise and possibly ten by the end of the century. At present, more than a third of the world’s carbon is sucked up by the oceans — but the result is what’s called ‘ocean acidification,’ which, on its own, may add a half a degree to warming this century.”

Climate fiction

We need more literature about climate change. More short stories, poems, novels. We need to use our incredible imaginations to show what we are dragging ourselves into, what we are leaving our children and grandchildren with.

This is what Emmalie Dropkin argues for in an article in Electric Lit, “We Need Stories of Dystopia Without Apocalypse: Climate change and the human imagination.” The abstract futures and numbers can confuse people and lull them into not caring. Stories, literature, have been inspiring humans for centuries. This is a tool we should use more to shock ourselves into action.

“In a six-degree-warmer world, the Earth’s ecosystem will boil with so many natural disasters that we will just start calling them ‘weather.’”

Already, genres are emerging from climate change and natural disaster events. I’m increasingly seeing climate fiction, solarpunk, eco-literature, eco-speculation. These relate to science fiction, technology, cyberpunk, and more.

Some books in these genres include:

  • Everything Change: An Anthology of Climate Fiction by ASU Imagination and Climate Futures Initiative
  • Sunvault: Stories of Solarpunk & Eco-Speculation
  • Oryx and Crake by Margaret Atwood
  • Last Hundred Years trilogy by Jane Smiley
  • Barkskins by Annie Proulx
  • Life As We Knew It by Susan Beth Pfeffer
  • TreeVolution by Tara Campbell
  • The Great Derangement by Amitav Ghosh
  • Drawdown: The Most Comprehensive Plan Ever Proposed to Reverse Global Warming by Paul Hawken
  • This Changes Everything: Capitalism vs. The Climate by Naomi Klein
  • After Nature: A Politics for the Anthropocene by Jedediah Purdy
  • Field Notes from a Catastrophe by Elizabeth Kolbert
  • Browse Goodreads for climate fiction

“More than half of the carbon humanity has exhaled into the atmosphere in its entire history has been emitted in just the past three decades … In the length of a single generation, global warming has brought us to the brink of planetary catastrophe.”

We have to visualize these potential futures, because we are ensuring they become reality with each passing day. With each pound of beef we eat, each flight we take.

If we continue down our current path, we’re dooming ourselves to devastating effects of climate change. We’re fueling its fire.

“Every round-trip ticket on flights from New York to London, keep in mind, costs the Arctic three more square meters of ice.”

Articles like Wallace-Wells’ and Dropkin’s, and books that explore climate change, are necessary, now more than ever. Keep reading our future. Keep ignoring it, and welcome to your uninhabitable Earth.

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Reporting on green energy

Through the years, I’ve been carving out my beat of green energy. It’s what I’m interested in, not only for the implications on the economy, the electric grid, and technology, but also because I’m a science fiction nerd and believe green tech and renewable energy can help us realize better, cleaner futures.

I’ve been blogging mostly about my creative writing, but I also produce freelance articles as a journalist. Years ago, I interned at Electrical Contractor Magazine, and I’ve been freelancing for them ever since.

EC Mag, published by the National Electrical Contractors Association, covers the latest news about the electrical construction industry. It’s a niche publication, and I learned a lot about magazine writing and design as an intern.

Some of my recent articles cover the nearly 30 cities that have committed to renewable power, how to harness solar power during an eclipse, and the benefits of green energy for rural America.

The renewable energy industry in America, and worldwide, is growing. And it’s been great to follow it.

Check out EC Mag for all news about the electrical construction industry, especially features on the evolving role of the electrical contractorsafetycodes and standardsgreen building, and more.

Summer reading ☀️📚

I love summer for countless reasons. There’s more time to lounge and read, the days grow longer, my birthday falls in the summer. My spirits are always higher in this season — something about the warmth of the sun on my skin, the fireflies lighting up the night.

When I was a kid, summer vacation also meant summer reading, great for an avid reader like me! That’s stayed constant in my life even after school. I’ve already read lots of books this summer, and plan to finish more.

Also, this summer is jam-packed with poetry readings and literary festivals. Here are some upcoming events that I’m super excited about:

•  July 28: I’m a featured reader at The Deaf Poets Society’sreading at Bards Alley in Vienna, Va. at 7 p.m. Bards Alley is a brand-new bookstore in the DMV area, and the DPS literary journal has been doing incredible work at offering a space for D/deaf/disabled writers and artists. There are going to be incredible readers, like Camisha Jones, so make sure to come to this one.

Ask Rayceen Show August 2017• August 2: As a part of The Ask Rayceen ShowI’m participating in the Authors’ Corner with OutWrite 2017 panelists at the Human Rights Campaign at 7 p.m. There will also be live music, poetry readings, and a burlesque performance.

Queer Enough panel at OutWrite 2017•  OutWrite 2017, August 5:

Hope to see you at some (or all!) of these events! Happy summer (reading)!

Poems in Wicked Banshee Press’s The Devil’s Doorbell: Vagina Edition

I have two poems in Wicked Banshee Press’s The Devil’s Doorbell: Vagina Edition, which was published in March. You can now purchaseprint copies ($10) or the ebook ($2.99), by emailing wickedbansheepress@gmail.com.

I’m honored to be included in this anthology of women, trans women, non-binary, and non-gender conforming writers. We need to talk more about vaginas, periods, and women (in all their forms).

My poems in this edition are “It should be called womenstruate” and “On it II.” In “It should be called womenstruate,” I discuss the history of the word menstruate, and how the prefix makes it seem like a male activity or a male word given to such a female part of life. Through menstruation, women are connected. We seep together. “On it II” is also a history poem, documenting different girls and women who first get their periods or experience different situations while menstruating, some embarrassing, some empowering.

Buy the Vagina Edition of Wicked Banshee Press.

Poems in Daughter Literary Magazine

I’m so excited to have two poems in Daughter’s inaugural issueDaughter, a new literary magazine focusing on sharing the voices of women or female-identifying people, calls itself a lit mag for all women.

The poems included are “This isn’t a poem about motherhood” and “Recipe to reduce pain.”

“This isn’t a poem about motherhood” (pg. 22-23) is about pregnancy when you have chronic pain. “Recipe to reduce pain” (pg. 32-33) lists rituals of self-care, like taking a long, hot epsom salt bath.

Read them here.

Sharing poetry with scientists and the public

Seven-foot-tall banners of various poems.Seven-foot-tall banners of various poems.

I had a fantastic time bringing poetry to scientists and the public during today’s Science March in Washington, D.C.

Leading a poetry teach-in for those who write and those who never knew poetry could be science-themed was so fulfilling. And even though it was pouring rain, the weather brought more people into our tent, who ultimately took up a pen and paper to try erasure, writing about insects, or personifying nature, storms, or planets. I’d estimate about 200 people came through the Poets for Science tent during our poetry teach-ins.

Many people stopped by our tent to learn how to write science-themed poetry.Many people stopped by our tent to learn how to write science-themed poetry.

I want to thank Jane Hirshfield for coming up with this incredible idea, Split This Rock and Sarah Browning for recommending me as one of the workshop leaders, the Wick Poetry Center for their great staff and banners, and all the local poets who led workshops and made this such an incredible event! This was a great space where we made connections between science and poetry — because, truly, the two go hand-in-hand. They are intertwined.

Science is full of images, minute details, precision. And so is poetry. They are both vivid, raw representations of our natural world.

Jane Hirshfield was the mastermind behind Poets For Science. Honored to have met and worked with her.Jane Hirshfield was the mastermind behind Poets For Science. Honored to have met and worked with her.

For those who couldn’t make it to the Science March or our tent, here are the workshops and poetry banners. Keep writing.